“As silly as the show comes off, a really good actor gives it such nuance and gives it so much for the audience to enjoy and so much control. He also plays a long-winded monk called Brother Maynard, who wields the Holy Hand Grenade of Antioch, and a guard who is eager to debate whether swallows can successfully carry a coconut. His training is similar to my training and the kinds of parts that he plays, I think are similar to the kinds of parts that I play.” "I think his way of speaking and singing and dancing really works for me. “The role I play was crafted for David Hyde Pierce, one of my heroes and one of our greats," said Urie. Idle played him on film and David Hyde Pierce originated the stage role when the Tony Award-winning musical debuted in 2005. Urie, who can be seen now in “Maestro” opposite Bradley Cooper, plays Sir Robin, a cowardly knight who soils his pants whenever he’s afraid, which is often. But the idea that finding your friend could also be a grail to me is really, really, really beautiful," he said. One of the show's highlights is the rousing final number - “Find Your Grail,” with the lyrics “Keep your eyes on the goal/Then the prize you won’t fail/That’s your grail” - which Urie says is a simple idea but could be a metaphor for anything we seek. The stage tale, concocted by “Python” legend Eric Idle and loosely based on the movie “Monty Python and the Holy Grail,” concerns King Arthur and his quest to corral some knights who’ll go off with him to find the grail, the cup Jesus drank from at the Last Supper. But if somebody throws a curveball, it’s a little tough.” Killam and Fitzgerald in particular are liable to make Urie crack up: “The things that I’m ready for, I’m a rock. He's joined by a cast that includes theater stars Christopher Fitzgerald, James Monroe Iglehart, Ethan Slater and Leslie Rodriguez Kritzer and “Saturday Night Live” comedian Taran Killam. “I don’t know any other material that is highbrow and lowbrow at the same time or within seconds of each other, but they seem to pull it off.” “The wordplay is so clever and then you’ll get a fart joke or then a rabbit will bite someone’s head off,” said Urie. You can sympathize with Urie since “Spamalot” is built on shenanigans that includes a group of knights fond of shrubbery, a singing and dancing plague victim, flatulent Frenchmen and killer rabbits. “I have to bite the inside of my cheek or turn upstage or just really think about my intention.” “At some point, somebody will do something totally stupid and we’ll all crack up laughing,” he said.
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